Copyright

Viacom v. MoveOn.org and Brave New Films

Date: 

03/13/2007

Threat Type: 

Correspondence

Party Receiving Legal Threat: 

MoveOn.org; Brave New Films, LLC

Type of Party: 

Large Organization
Media Company

Type of Party: 

Organization

Court Type: 

Federal

Court Name: 

United States District Court for the Northern District of California (lawsuit in response)

Legal Counsel: 

Fred von Lohmann, Lawrence Lessig, Anthony T. Falzone (MoveOn and Brave New Films)

Publication Medium: 

Website

Relevant Documents: 

Status: 

Concluded

Disposition: 

Withdrawn

Description: 

MoveOn.org, a progressive political organization, and Brave New Films, LLC, a politically oriented film company, created a video parodying Comedy Central's Colbert Report. The video, entitled "Stop the Falsiness," shows clips of the Colbert Report interspersed with tounge-in-cheek "commentary" from MoveOn activists and other political personalities, including liberal pundit Al Franken and Democratic sentator Russ Fiengold. MoveOn and Brave New Films uploaded the video to YouTube in August 2006. They also published it on a separate website, Stop the Falsiness.

On or about March 13, 2007, Viacom, the corporate parent of Comedy Central, delivered a takedown notice to YouTube pursuant to section 512(c) of the Digital Millennium Copyright Act, apparentl asserting that "Stop the Falsiness" violated its copyright and requesting that it be taken down. (Although Viacom later disputed sending the takedown demand, a notice appeared on YouTube on March 13, 2007 indicating that the video had been removed due to a copyright claim by Viacom, and Viacom ultimately relented.)

MoveOn and Brave New Films responded by suing Viacom under section 512(f) of the DMCA for knowing, material misrepresentation of its claim of copyright infringement with regard to the video. The suit was based on the argument that the video was so clearly a fair use that Viacom could not have asserted in good faith that the clip infringed its copyright. Viacom responded with a letter to the lawyers for MoveOn and Brave New Films, indicating that Viacom could not confirm sending the takedown notice and stating that Viacom had "no problem with your client's continued use of [the video] on its website or on YouTube."

That did not completely satisfy MoveOn and Brave New Films, and further negotiations took place between the lawyers. Eventually, Viacom agreed to adopt new policies enabling YouTube users to complain directly to Viacom about mistaken takedown notices and affirming the company's respect for fair use of its copyrighted materials. MoveOn and Brave New Films then dismissed the suit.

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Church of Scientology v. Gawker

Date: 

01/15/2008

Threat Type: 

Correspondence

Party Receiving Legal Threat: 

Gawker Media

Type of Party: 

Large Organization

Type of Party: 

Organization

Legal Counsel: 

Gaby Darbyshire (Gawker Media)

Publication Medium: 

Website

Relevant Documents: 

Status: 

Pending

Description: 

A nine-minute video featuring Tom Cruise excitedly proclaiming the virtues of Scientology was leaked onto the Internet. Gawker, YouTube, and other sites posted the video. The Church of Scientology's lawyers sent out cease-and-desist letters and emails to a range of re-publishers, most of whom removed the video. Gawker Media refused to comply.

On January 15, 2008, the Church of Scientology (through counsel) sent an email to Gawker Media alleging that posting the video on Gawker and Defamer (another Gawker Media site) violated its copyright and demanding its removal. The Church also asserted that "several criminal laws are implicated since this work was stolen," citing theft (California Penal Code 484 et seq); receiving stolen property (California Penal Code 496); and interstate transporting or transmission of stolen goods (18 U.S.C. 2314), but did not directly accuse Gawker of committing any of these criminal offenses.

Gawker responded to the Church via email, rebuffing the criminal claims and asserting fair use:

We are using this video in the context of news reporting and critical commentary, which are uses that may not be authorized by your client, but which serve the public interest. For this, and other reasons, we believe our use is fair. We further do not accept that we have broken any criminal laws in publishing it, and in any event, several of the statutes you cite are inapplicable in this case.

The video is still posted on Gawker, and the Church is believed to be considering legal action.

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CMLP Notes: 

Status checked on 6/3/2008 (AAB)

Savage v. CAIR: The Council on American-Islamic Relations Asks Court to Dismiss Michael Savage's Lawsuit

I've blogged before about the Savage v. CAIR lawsuit, in which the conservative talk show host claims that CAIR violated his copyright (and the Racketeer Influenced and Corrupt Organizations Act!) by posting and commenting critically on an audio clip from one of his shows, in which Savage makes all sorts of hateful and inaccurate claims about Muslims and the Islamic faith.

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Protecting Yourself Against Copyright Claims Based on User Content

If you publish or use the creative work of others, their trademarks, or certain confidential business information without the permission of the owner, you may be exposing yourself to legal liability for violations of intellectual property law. Fortunately, if you allow your site's user to post this type of content you can protect yourself from copyright infringement claims under the Digital Millennium Copyright Act (DMCA)

How to Effectively Transfer or License Your Work

Below are three models or approaches to transferring or licensing your work that are relatively straightforward and therefore can be accomplished without the assistance of a lawyer. One caveat is that the first approach, the "all rights reserved" model, could be used in conjunction with sophisticated transfer/licensing transactions on a case-by-case basis, in which case the assistance of a lawyer would be more indispensable.

Understanding the Difference Between a Transfer and a License

A transfer of copyright is a conveyance of ownership, much like the sale of personal property. When you transfer your entire interest in a copyrighted work, or one or more of your exclusive rights under copyright, you give up all claim to the right(s) you convey (except as explained in the Termination of a Transfer or a License section). The recipient of the transfered right(s) may:

Deciding Whether and How to License Your Content

A broad array of creative, expressive media are subject to copyright protection, including literature, photographs, music compositions and recordings, films, paintings and sculptures, and news articles – any “original work of authorship fixed in any tangible medium of expression.” 17 U.S.C. § 102. For more information on copyright creation and ownership see the Copyright Ownership section of this legal guide.

Evaluating Terms of Service

This section discusses and compares the key "terms of use" (or equivalent sections) you are likely to encounter when you are evaluating various online services. We've grouped these services into three general categories: social networking sites, blog-hosting services, and web-hosting services. Of course, some of these categories blend into each other, but you should be able to get a general idea of how the terms of service vary among the various types of sites and between individual sites themselves.

Legal Issues to Consider When Getting Online

Once you decide to publish online, whether by posting in a forum, joining a discussion group, blogging, or starting your own website, there are a host of legal issues that may come into play. Understanding your legal rights -- and potential sources of liability -- can help you make an intelligent choice as to what platform you use and what precautions you take when you speak online. Some of the most important issues to consider are free speech protections, anonymity, ownership of content, and vulnerability to others' copyright claims.

Prince v. Prince Fan Sites

Date: 

11/06/2007

Threat Type: 

Correspondence

Party Receiving Legal Threat: 

Princefans.com, Prince.org, and Housequake.com

Type of Party: 

Individual

Type of Party: 

Organization

Publication Medium: 

Website

Status: 

Pending

Description: 

Lawyers for the musician formerly known, and now currently known, as Prince have sent cease-and-desist letters and at least one DMCA takedown notice to the three largest Prince fansites, Prince.org, Princefams.com, and Housequake.com, demanding that they remove all photographs, images, lyrics, album covers, and anything linked to Prince's likeness.

The fan sites were also requested to provide Prince's lawyers with "substantive details of the means by which you propose to compensate our clients [Paisley Park Enterprises, NPG Records and Anschutz Entertainment Group (AEG)] for damages."

The fansites formed a coalition, Prince Fans United (PFU), which has issued a press release saying that the letter campaign goes too far, effectively stifling critical commentary and impinging on freedom of speech. It does not appear that a lawsuit been initiated.

Update:

3/13/2008 - Prince Fans United reported that negotiations between the coalition and Prince were at a standstill for unknown reasons.

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Content Type: 

Subject Area: 

CMLP Notes: 

Status updated on 6/6/2008 (AAB)

Primer on Copyright Liability and Fair Use

As a lead up to the launch of the Citizen Media Law Project's Legal Guide later this month, we are putting up longer, substantive blog posts on various subjects covered in the guide. This post is the second in our series of legal primers. The first addressed the subject of immunity and liability for third-party content under section 230 of the Communications Decency Act.

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Mashups, DVD Ripping, and Fair Use

Chris Soghoian at CNET Blogs published an interesting post yesterday -- Did Slate violate copyright law? It talks about a hilarious mashup video that Slate posted a few days ago called Hillary's Inner Tracy Flick, which juxtaposes images from the 1999 film Election and current footage of presidential hopeful Hillary Clinton.

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Comparative Analysis of Copyright Fair Use in Canada, United Kingdom, and United States

Giuseppina D'Agostino, a law professor at Osgoode Hall Law School in Toronto, has a new paper coming out entitled "Healing Fair Dealing? A Comparative Copyright Analysis of Canadian Fair Dealing to UK Fair Dealing and US Fair Use." Here is the abstract:

As a result of the March 4, 2004 Supreme Court of Canada decision in CCH Canadian Ltd v Law Society of Upper Canada for the first time in Canadian copyright history, the court determined that Canadian law must recognize a "user right" to carry on exceptions generally and fair dealing in particular. This paper compares the Canadian fair dealing legislation and jurisprudence to that of the UK and the US. It is observed that because of CCH, the Canadian common law fair dealing factors are more flexible than those entrenched in the US. For the UK, certain criteria have emerged from the caselaw consonant to Canada's pre-CCH framework and in many ways there is now a hierarchy of factors with market considerations at the fore.
The real differences, however, ultimately lie in the policy preoccupations held by the respective courts, with Canada's top court alone concerned in championing user rights above all other rights. The paper concludes that Canadian fair dealing does not require too much healing but would benefit from some remedies outside (and complimentary to) the law and the courts. While doing nothing does not seem to be the appropriate response, legal intervention as many advocate may not be warranted either. Rather than, or at the very least together with, reforming the law, establishing fair dealing best practices is most promising. The parties directly affected in a specific industry can together develop these guidelines to ultimately aid in clearer and ongoing fairer fair dealing decision-making in the courts. It is here that US initiatives can serve as most fruitful to emulate.

It's nice to see some scholarly attention paid to the differences between the Canadian, U.K., and U.S. approaches to this important subject.

You can download the entire article from the Social Science Research Network.

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Michael Crook v. BoingBoing

Date: 

11/01/2006

Threat Type: 

Correspondence

Party Receiving Legal Threat: 

BoingBoing

Type of Party: 

Individual

Type of Party: 

Organization

Publication Medium: 

Blog

Relevant Documents: 

Status: 

Concluded

Description: 

In November 2006, BoingBoing reported that its Canadian-based ISP received a Digital Millennium Copyright Act (DMCA) takedown notice from Michael Crook requesting that BoingBoing remove a screengrab of him from a Fox News channel program "Hannity and Colmes" that BoingBoing posted on its blog. Crook had appeared on the Fox program to talk about a website he created, "craigslist-perverts.org," that contains responses sent to fake personal ads posted on Craigslist.

Crook's takedown notice appears to be self-created, and alleges (by all appearances, erroneously) that Crook owns the copyright in the screengrab, which BoingBoing had taken from a program produced and broadcast by Fox News.

BoingBoing characterized the takedown notice as "bogus" and refused to remove the image from its blog. It says that all copyright in the image resides in Fox, which has expressed no concerns about its reuse of the image, and in any event BoingBoing's use of the image falls squarely within fair use. Prioritycolo.com, the upstream provider to BoingBoing's ISP, replied to Crook that it considered the notice to be illegitimate.

This is not the first DMCA takedown notice Crook has sent. The Electronic Frontier Foundation launched and settled a legal action against Crook for sending an allegedly vexatious takedown notice to the ISP for 10 Zen Monkeys complaining about that website's use of the same image. As part of the settlement, Crook agreed to recall the takedown notices, take a copyright law course, and record a video apology. (For more information on the case, see the CMLP database entry for Crook v. 10 Zen Monkeys.)

Jurisdiction: 

Content Type: 

Subject Area: 

CMLP Notes: 

DA editing

Gawker Defies Demand from Church of Scientology to Remove Creepy Tom Cruise Video

Earlier this week, a promotional/inspirational video for the Church of Scientology featuring Tom Cruise began circulating online. The video is bizarre -- against the background of what sounds like the Mission Impossible theme, Cruise extols the virtues of Scientology and urges viewers to embrace its ethics and worldview. Among many, many other things, he drops gems like "We are the authorities on getting people off drugs. We are the authorities on the mind.

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Explorologist v. Sapient

Date: 

06/12/2007

Threat Type: 

Lawsuit

Party Receiving Legal Threat: 

Brian Sapient

Type of Party: 

Organization

Type of Party: 

Individual

Court Type: 

Federal

Court Name: 

United States District Court for the Eastern District of Pennsylvania

Case Number: 

07-1848

Legal Counsel: 

Chad Cooper, Samuel W. Silver

Publication Medium: 

Website

Relevant Documents: 

Status: 

Concluded

Disposition: 

Dismissed (partial)
Settled (total)

Description: 

In May 200, Explorologist Limited, a company incorporated in the United Kingdown by paranormalist Uri Geller, brought a lawsuit against Brian Sapient, a member of the Rational Response Squad. The dispute revolved around two videos posted by Sapient on YouTube. One video was a clip from a NOVA television program "Secrets of Psychics," in which magician James Randi challenges the performance techniques of Geller ("NOVA clip"). The NOVA clip allegedly incorporates images from a film of Geller performing at a charity event in England, the copyrights to which were assigned by the film-maker to Explorologist. According to Sapient, this portion of the NOVA clip lasts only eight seconds. The second video showed Sapient himself discussing Geller's performances ("Sapient clip").

Explorologist sued Sapient in federal court in Pennsylvania, alleging that posting the NOVA clip violated its UK copyright in the charity performance film, and that Sapient defamed the company and Geller in their trade (commercial disparagement) and misapproriated Geller's name and likeness "for his own benefit and commercial purpose." Sapient moved to dismiss the lawsuit, and in October 2007 the court dismissed the commercial disparagement claim for failure to properly plead damages with specificity. The court refused to dismiss the other claims, but expresed its initial reservations about whether the claim against Sapient is actionable under UK copyright law, because it is derivative on a claim against YouTube, whose server is located outside the UK.

Update:

2/15/2008 - Explorologist moved to dismiss the case due to its inability to produce a foreign witness for a deposition in Philadelphia.

2/22/2008 - Sapient moved for leave to file an amended answer and counterclaims against Explorologist.

6/3/2008 - Court ruled that Explorologist's motion to dismiss and Sapient's motion to file an amended answer will be heard, if necessary, after settlement negotiations are completed.

8/4/08 -  The parties settled the lawsuit.  As part of the settlement, Explorologist agreed to license the disputed footage under a non-commercial CC license, to avoid future disputes about fair use of the material. A montetary settlement was reached, but the terms are not public.

Jurisdiction: 

Content Type: 

Subject Area: 

CMLP Notes: 

Status updated on 6/4/2008. It sounds like the parties may be settling, though Sapient's got several counterclaims in the works. (AAB)

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